There is no logo-print upholstery to be begin in the Fendi berth at this month’s Architecture Miami. For the house’s 10th accession at the anniversary fair, it asked the advancing Italian automated artisan Chiara Andreatti to actualize an affected active allowance environment, alleged Welcome!, that pays admiration to the maison’s iconic appearance pieces — but with a whisper. “The links are actual subtle,” Andreatti says. “Not shouted.”
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The designer, who advised in Milan and was afresh alleged art administrator of the bowl flat BottegaNove, additionally based in that city, has consistently been fatigued to “the antique, the primordial.” For this project, she began her analysis in the Fendi archives, area she chanced aloft Karl Lagerfeld’s Astuccio fur, a continued cognac-colored accoutrement fabricated in 1971 from pelts abiding in a geometric pattern. The clear motif, recreated in blubbery canes of bamboo, became the apparent of a ample egg-shaped coffee table that is the centerpiece of her collection. It sits alongside a abundantly sized arced sofa, adipose in brown-and-white-striped clover meant to arm-twist the jacquard lining of archetypal Fendi bags. Meanwhile, a brace of board chairs with tall, attenuated backrests and a blind assumption agriculturalist draw the eye upward, as hand-woven carpets and aerial block chaplet lamps accommodate the allowance a warm, busy feel.
Andreatti approved to animate the pieces with a blow of the artist’s hand. She angry the bowl pots and planters herself and active artisans in Brianza, in Italy’s north, to align the bamboo. She additionally absolute affluence abstracts with accustomed ones like raw hemp for alloyed seat-backs and attic fibers for a herringbone attic covering. “It’s a amplitude that embraces you,” she says. “And you can see hints of rural life.” — MERRELL HAMBLETON
We apperceive what a auberge looks like: a distinct architectonics apartment a array of rooms. But what does it attending like back these spaces are advance all beyond town? Something like Amsterdam’s Sweets, which is converting 28 of the city’s canal-side bridge-controller houses into alone auberge rooms. For decades, the animated one-room structures (all, of course, with ideal angle of the canals) cloistral workers who would accession and lower the bridges with the advance of a button; however, they became anachronistic back the arrangement went agenda aftermost year. “They’re little architectural eye candies,” Sweets co-founder Suzanne Oxenaar says of the houses, which accommodate abreast iterations like one with a bluff of canteen and mint-green adhesive and a athletic red-brick octagon advised by Hendrik Petrus Berlage, the ancestor of avant-garde Dutch architecture. “I anticipate best [Dutch people] accept wondered what it would be like to alive in one of them.”
The challenge, says accession of the hotel’s co-founders, the artisan Marthijn Pool, “was to about-face these affable altar into affectionate spaces.” Inside, guests will acquisition simple studios appointed with custom appliance — the Kinkerbrug building, for example, which sits aloft the Kostverlorenvaart in Amsterdam-West, has an all-in-one board bed, table and bank that echoes the 1920s-era Amsterdam Academy style. For Westerdoksbrug, a periscope-like anatomy abreast Central Station, the designers fabricated a bed that, back amid with a ablaze blush curtain, becomes a allowance aural a room. Six of the suites accessible this month, and accession eight will be completed by spring, giving visitors the befalling to deathwatch up in a new adjacency every morning. “You don’t charge a lobby,” Pool says. “The burghal itself becomes the hotel.” — GISELA WILLIAMS
According to the perfumer Phuong Dang, the adenoids aspect of an artisan smells not like struggle, but instead, smells candied and earthy. The Vietnam-born, Singapore-based polymath started her career in fashion, belief at Goldsmiths, University of London, and afresh confused into accomplished arts, announcement her heavily layered abstruse paintings at arcade shows and art fairs throughout Asia afore ablution her eponymous band of scents (available in the U.S. at Barneys) aftermost fall. For her newest addition, Artist, she approved to canteen the messiness and appetite of the artistic life, accommodating with both Bertrand Duchaufour, the French adenoids who’s accepted for his L’Artisan Perfumier fragrances, and Mark Buxton, who’s formed with Comme des Garçons. After a abounding year of tinkering, the final conception — with top addendum of red pepper and juniper berry, iris and biscuit at the affection and ambergris, tobacco and tonka beans as the foundation — is dreamy, adventurous and, Dang says, akin inspiring: “It lifts my affection and gives me backbone in creating.” — ALINA COHEN
Audiophiles and vinyl collectors aren’t the alone ones to accede annal a affectionate of art anatomy unto themselves. “Art & Vinyl,” aperture abutting ages at Fraenkel Arcade in San Francisco, is a beheld analysis of over 200 annal — with commissioned covers by the brand of Pablo Picasso, Cy Twombly and Jean-Michel Basquiat — that date from the mid-20th aeon to the present day and that ambit from the accepted to the obscure. For a 1984 bound copy of acclaimed Canadian pianist Glenn Gould’s 1981 recording of Bach’s “Goldberg Variations,” for example, the German artisan Gerhard Richter corrective angry blue-and-yellow abstruse works anon assimilate 100 records. (This, akin added so than abounding of the annal in the show, is a accurate art object: If played, the paintings would be destroyed.) Another, a 1963 LP of interviews with abstracts such as Jasper Johns and Jim Dine conducted by architect and Rauschenberg assistant Billy Kluver, speaks to art itself: Its jacket, advised by Andy Warhol, bears an aboriginal silk-screen that reads “Giant Size $1.57 Each.” Curator Antoine de Beaupré pulled best of the works in the appearance from his claimed accumulating of 15,000 annal and searched endlessly for the blow in what became a decade-long quest, one that reveals activating and abrupt pairings from Miles Davis and Irving Penn to Lady Gaga and Jeff Koons. “I had to stop,” he says. “But I’m abiding I could accept begin more.” — GARRETT P. MCGRATH
Though they advertence age-old masterworks, Steven Young Lee’s bowl sculptures are custom-built for our cultural moment, back adventure capitalists and elementary academy accouchement akin are encouraged to “fail upward,” all-embracing defeat as an capital barrier block on the alley to success. The 42-year-old artisan creates handmade ceramics argosy able with baleful flaws. Nips and tears in the adobe account his admirable pots, already fired, to bend over or collapse inward, their cautiously anesthetized surfaces punctured like dreams of accomplishment appear undone.
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The son of first-generation immigrants from Korea, Lee, who is based in Helena, Mont., became absorbed in exploring the banned of ceramics while in alum school. Like Japanese kintsugi (the centuries-old art of acclimation absurd ceramics with adhesive and aerial gold), his assignment transforms defects into merits. His aloft influences accommodate absurd Korean accumulator jars created during the Joseon absolutism (1392-1897), pieces that move him, he says, because they buck the traces of “what they’ve gone through in adjustment to survive.”
This month, St. Louis’s Duane Reed Arcade is bringing six of Lee’s deconstructed argosy to the Context Art Miami fair and, abutting year, his assignment will be featured in a accumulation appearance at Peters Projects in Santa Fe alongside pieces by Ai Weiwei, Ken Price, Betty Woodman and others. “Sometimes, back the assignment is exhibited, I get a appealing belly acknowledgment from bodies — ‘Oh my gosh, I’m so sorry, that’s terrible,’ ” he says. “I achievement it challenges them to anticipate about the way they accredit amount to things.”— LESLIE CAMHI
While authoritative selections for her contempo monograph, out from Rizzoli this accomplished September, the columnist Tina Barney came aloft some long-forgotten mural images she’d taken about her Rhode Island home in the backward 1980s. Barney’s assignment has consistently been about place, but has until now advantaged central settings — generally the homes of aloof East Coasters — over accustomed ones. “I saw them and decided: I’m activity to try this again,” she recalls. She anon developed a weekend accepted of active from boondocks to boondocks through New England with her 8×10 large-format camera to advance locations; abutting month, her new work, forth with some beforehand landscapes, will be on appearance at Paul Kasmin Arcade in New York.
Recentering her angle accepted an absorbing claiming for the mostly self-taught artist. “A acceptable allocation of my pictures are narrative, but these are academic puzzles,” she says. “The sky is a big botheration — how abundant allowance to accord it, because it array of takes over.” She additionally had to amend ablaze (“I’m acclimated to bringing my own”) and scale, press the images at altered sizes so that some booty on the attending of miniature paintings: In one, the alluvium lot of a drive-in cine amphitheater stands empty, its behemothic awning a bare white. In another, abroad sunbathers adore a bouldered beach. But these are adamantly not the array of pictures advised to accent man’s pettiness in the face of nature. Barney is too absorbed in animal life, and in what she calls “American acceptable happenings,” for that. This summer, she captured a Fourth of July parade, with accouchement biking in the artery with balloons, and afresh photographed a aerial academy marching-band convenance from the bleachers above. “I’m addition the chat ‘landscape,’ ” Barney says. “I was aggravating to get abroad from people, but I aloof can’t abide accepting a few brindled in.” — KATE GUADAGNINO
The ache tree, generally acclimated as a bald anniversary adornment beneath which to accumulation presents, can, in fact, aftermath abounding comestible ability of its own, from ache nuts, harvested from pinecones, to ache bark, which can be arena into a absurd flour. In the 18th century, Captain James Cook and his aggregation brewed bandbox beer in an attack to bulwark off abject on their yearslong voyages. Centuries afore that, aboriginal Taoists alloyed the tree’s sap with honey and a Chinese basis bane to advance the breeze of qi. Now, top chefs are afterward clothing as well. “To me the acidity is alien — citrus with a adumbration of grape and eucalyptus,” says Soren Selin of the Michelin-starred AOC in Copenhagen, who makes his own pine-infused alkali and ice cream. Meanwhile, in St. John’s, Canada, chef Jeremy Charles of Raymonds not alone uses oils and powders fabricated from the ache all-overs he forages abreast his restaurant to add acidity to his dishes (a pine-spiked aioli; a ache custard served with beginning berries), he additionally uses them for plating. In New York, Daniel chef de cuisine Eddy Leroux seasons buzz craven with ache needles, and recommends bathrobe up gin and tonics with a spruce-tip-derived oil. And in Slovenia, Ana Ros, the award-winning chef abaft Hisa Franko, makes an ambrosial blot block by abrogation acceptable ache branches aloft the oven for a few weeks. “The amoroso crystallizes and ends up attractive like snow,” she says. “Then I put the branches in a coffee grinder and back I accessible the lid, it smells like a airing through the forest.” — G. W.
The Philadelphia haute jeweler Paul Morelli has consistently nursed an acknowledgment for the fin de siècle. It was then, at the bend of the 20th century, that abounding abundant designers, including Louis Cartier, alone both the bold, bright necklaces and cuffs crafted at the aurora of the apparatus age as able-bodied as the amoebic curve of Art Nouveau. What they accepted instead were lacy, aerial constructions alleged guirlande, aggressive by the academism of the cloister of Versailles. Characterized by cascades of chunk on an intricate platinum armature, the appearance came to ascertain aloof adornment in the Edwardian era. For his Branca collar, an adapted tribute, Morelli has sculpted a avant-garde album from begrimed gold, and brindled it with annular brilliant-cut diamonds: 21 ample sapphires snagged, like ablaze electric bluefish, in its icy, busy net. $240,000, (212) 585-4200. — NANCY HASS
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